Saturday, December 22, 2012

The Wheel of Time [Reference] The Big White Book (1997)

The release of A Memory of Light, the 14th and final volume in Robert Jordan's The Wheel of Time series, is fast approaching (less than 3 weeks!), so I figured it was time I do the long-delayed post on The Big White Book, also known by the cumbersome title of The World of Robert Jordan's The Wheel of Time, which I've never liked.  It's also annoying to use in the blog title / header, because of its length.  So it's titled "The Big White Book" and throughout the rest of this blog post I'll refer to it as tBWB.

If you're not familiar with this book, it's okay.  Many people aren't.  But it's notorious in the WoT community for its "questionable" artwork.  It's a reference book that originally came out in hardback in 1997, between Books 7 and 8, and mostly covers world history and nations / cultures.  It's been reissued a few times, in a different size with a different cover, and currently exists in North America as a trade paperback.  In the UK, they have a version with only maps (none of the "questionable" art... we'll get to that later).

Before you continue:
  • This is part 15 of my The Wheel of Time retrospective
  • See this blog post for an overview of the retrospective
  • These blogs are most effective with your own re-read of the series

What's This?

Being a huge fan at the time, I snapped it up, even though I thought it extremely premature to release a reference book for the series when it was clearly far from complete.  Obviously it was a simple attempt to cash in on the success of the series, rather than providing a true reference to the world Jordan had created.  Rabid fans like me enjoyed learning about the history and various general information - with one caveat, of course.

So as I said, I bought this at the time because I was a sucker for anything WoT-related.  Notes and new artwork?  A map of the entire world?  Cool!  I didn't even know it was coming out, I merely noticed it in the bookstore one day, thumbed through it a bit and went ahead and bought it.  I've tried reading it all the way through, but I could never manage.  It's like reading an encyclopedia straight through - which, of course, is why you can't read it like that.  It's a reference book.  Duh.

Teresa Patterson

The book was co-written by Teresa Patterson, using Jordan's notes.  It was created by a "packager," which is some other company that puts together the project with the main publisher and author's approval.  Patterson later went on to do another "packaged" guide, for Terry Brooks' Shannara series.

From what I've read about the project, Patterson contributed very little of her own text.  According to encyclopaedia-wot, for some passages, Jordan told Patterson to "write what she thought would be correct," in order to give it a feel that it had been written by a historian in his world.  Therefore the ruling on this book (and confirmed by its Preface) is that it is "broadly canonical," and parts could be inaccurate.  Because sometimes recorded history isn't 100% accurate.  History is written by the victors, right?

There is a great interview with Teresa Patterson regarding tBWB that you can find here.  She sheds some light on how the book came together.

So on one hand it's a handy reference, if you really want to know more about the world.  On the other - and here is the caveat I mentioned earlier - who knows what is true and what is false.

The Cover(s)

Since my other blogs discuss the covers, might as well devote a small section to this one.  It's the cover that gives it the nickname of "Big White Book," obviously.

Not a very interesting cover.  The Wheel, Snake and Spear collage is just from the painting of the Randland maps that are in the interior cover of the series hardbacks.  There was an alternate cover for this book, featuring different elements of the map painting that could be found in the paperbacks:

Nothing new or exciting.  Moving on.

What's the Point?

So you may be wondering... should I bother with tBWB?  Well, the book is largely unnecessary for a regular fan, because most of what you need to know for the series is revealed in the series itself.  But there a number of tidbits of new information that help round out and reveal more about the world.

The Entire World

The main thing this book provided (at least for me) was the first map of the entire world.  Before, all we got was the Randland continent, which is actually just a small part of a much larger continent.  The series has been focused on Randland, and with the last book on the horizon, it's obvious that Jordan never intended to properly explore the other continents that were now revealed: Shara, Seanchan and the Land of Madmen.  I don't even think the Land of Madmen has ever been mentioned in the main series.  This book only dedicates a few paragraphs to it.

I posted the map of the world from tBWB in the post for Lord of Chaos (Book 6), but here it is again, since apparently it pops up in Google search results a lot, and I can always use more views.  :)

The Strike at Shayol Ghul

Bits and pieces of this story were revealed in The Shadow Rising (Book 4), when Rand entered the glass columns at Rhuidean, but in Chapter 4 of tBWB, titled "The Fall into Shadow," the full details of Lews Therin's strike on Shayol Ghul (against the Dark One, when the male half of the Source was tainted and turned all male channelers mad) are revealed.  This, along with the "Age of Legends" chapter, are by far the most interesting parts of the book.  Worth reading, definitely.


There's actually an entire chapter on Shara here, albeit 5 pages.  Some of the info revealed about this mysterious continent in tBWB is revealed in the main series later on, but at the time this was a treasure trove of new knowledge.  I kept expecting Jordan to involve Shara somehow, but he never did.

Forsaken Backgrounds

This book provides the best background on the Forsaken you can find.  It's pretty interesting, and worth reading through if you really want to know more about these enigmatic people from another age.  The little tidbits about the Age of Legends Jordan reveals in the series keeps it mysterious and fascinating, and the revelations in this book only whet your appetite for more.

The rest of the book is either information you can find in the main series, or is just unimportant, trivial and arcane knowledge.  There is some additional history concerning the time between the Breaking and Aiel War, but it's nothing earth-shaking.

The Illustrations

This book's claim to fame is not its wealth of questionable information, but rather the questionable illustrations found within.  They were done by Todd Cameron Hamilton, of whom very little can be found on the internet.  He's done plenty of other fantasy artwork, though, primarily in gaming / RPG books.

Anyway, these illustrations have been completely vilified by much of the WoT community.  And it's understandable, once you see some of the drawings.  Now, I felt they were okay, I certainly didn't think they were the worst ever... but many of them are pretty wretched.  I'm sure I've mentioned this in earlier blogs, but many of the character sketches are atrocious and look like a child drew them.  Other illustrations, like the ones on the sidebars of objects, are decent.  But overall, hardly worth buying the book for.  Which probably explains why the UK edition no longer has these illustrations.

Hamilton's take on Lanfear, described in the
books as extremely beautiful... 

Many people thought that Todd Cameron Hamilton was just a bad painter, but he's not.  As Jordan explains in an interview, Hamilton got screwed on the contract.  The packager wanted five times as many drawings as the contract called for (at a flat fee), and in color instead of black-and-white.  Getting paid the same for five times more images in color than ones in black and white... well, you can see why they were uninspired.

His other artwork is pretty good.  Here's an example from The Visual Guide to Xanth, another packaged reference book that's somewhat pointless to have at this point (though I do have a copy):

Now isn't that better?

A New Guide

With the series coming to an end, talk eventually turned to a new guide.  One that was as comprehensive as you can get.  Harriet McDougall (Jordan's widow and editor), has confirmed that there will be a new guide, put together by Team Jordan.  This guide should be the "be all, end all" of Wheel of Time guides, from what she has said.  It will consist of a majority of RJ's notes, feature info on all characters in the books (over 2,000, I believe) and just be all-around awesome.  At least I hope so.  This will be a true Guide / Reference / Encyclopedia, turning tBWB into an outdated primer, nothing more than a collectible.

Will I get it?  Probably.  I'd like to look at it first, though.  If it has new (and quality) artwork, I probably will.  In terms of tBWB, those new to the series can skip it, unless you're a collector or really into the series and have to have everything related to it.  Otherwise wait for the new guide.  According to sources, it should be out a year or so after A Memory of Light.


The Wheel of Time is Complete


Prequel – New Spring
Book 13 – Towers of Midnight
Book 12 – The Gathering Storm
Book 11 – Knife of Dreams
Book 10 – Crossroads of Twilight
Book 9 – Winter's Heart
Book 8 – The Path of Daggers
Book 7 – A Crown of Swords
Book 6 – Lord of Chaos
Book 5 – The Fires of Heaven
Book 4 – The Shadow Rising
Book 3 – The Dragon Reborn
Book 2 – The Great Hunt
Book 1 – The Eye of the World
Retrospective Overview

Wednesday, December 12, 2012

The Malloreon [1] Guardians of the West (1987)

After a three year break, David Eddings returned with a sequel to The Belgariad, another five volume series entitled The Malloreon.  It picks up a number of years after the death of Torak, and follows our heroes as prophecy forces them on another quest, this time to the continent of Mallorea on the other side of the world.  In my opinion, this series is much better than The Belgariad for a few reasons.

The books are a bit more expansive (Eddings said in a forward to the omnibus that size restrictions were relaxed this time around) and the lands we explore are a lot more interesting (and realistic) than the disparate Angarak and Western kingdoms.  Garion is an adult and the problems he faces are more interesting to me as a reader and less cliche (i.e. this series is not about some orphan finding out he's a king / sorcerer).  Also, the quest here is more compelling than what happened in The Belgariad, which had two separate quests, really (recovering the Orb and fighting Torak).

The map / kingdom section will be missing this blog post, as there are no new maps or lands explored in this volume.  But they will resume for the next, King of the Murgos, when our heroes venture down into previously uncharted portions of Cthol Murgos.

I don't have a lot to say about this book, other than a handful of gripes.

Before you continue:
  • This is part 6 of my The Belgariad and The Malloreon retrospective
  • See this blog post for an overview of the retrospective
  • These blogs are most effective with your own re-read of both series

History Repeats Itself

The first section of this book is very similar to the beginning of Pawn of Prophecy, the first volume of The Belgariad.  You will notice more similarities as you go through this series... one, because Eddings is somewhat formulaic and his quest-centric series all feature the same general pattern and types of characters; two, because in this world the meetings between Dark and Light repeat over and over, so we should expect some similarities each time.  How convenient.

Credit sonofamortician

Instead of Garion, we start with Errand and follow him during his childhood with Polgara and Durnik in the Vale of Aldur.  Errand is a special child and the way Eddings begins this series, it should be perfectly obvious that Errand is destined for something special.  Almost as special as what Garion did in slaying the god Torak.  Instead of slaying a god, though, we'll make a new one (the god that should have been in the first place) to fix the "cosmic error" that happen millions of years ago.

At least we don't have the same exact party of characters as we did last time.  Cyradis, the Seeress of Kell, who appears at the end of the book to instruct Garion on what he needs to do, tells some familiar characters to butt out of the quest.  Namely Barak, Hettar, Mandorallen and Lelldorin.  Though I don't mind these characters (except Lelldorin, who is useless, as I've stated before), I'm totally cool with this decision, because otherwise the series would be too similar to The Belgariad.

So you'll notice similarities here and there in the storyline as you go through the series, but I'm not complaining - this is what Eddings does best...

The Quest is Best

It should be obvious after reading this book that Eddings excels when the storyline is focused on a quest.  Figuring out the riddles of prophecy, the mystery of new lands, meeting new people... these are the things he writes well.  This entire book is consumed with non-quest activities.  It's all set up for the rest of the series, and some of it is necessary, but as a whole it's rather dull.  It's the same problem that plagued the end of The Belgariad, where half of Enchanter's End Game focused on the battle at Thull Mardu, which wasn't half as exciting as what Garion was doing.

So while I like this series better overall, it doesn't really start out that well.  It doesn't get interesting until about halfway through, when Geran is kidnapped by Zandramas, but even then it bogs down again with side trips to Jarviksholm and Rheon to deal with the resurgent Bear Cult (a massive red herring).  It's only in the last few chapters, when we learn what Garion & Co. are really supposed to be doing, that it gets interesting... and then it ends.

If I had been reading the series when this book came out, I probably would have been upset with it.  Much like I got upset during books 8-10 in The Wheel of Time, when the narrative slowed way down.  Thankfully Eddings was almost done with The Malloreon when I got involved.

The Cover

The covers for this series are similar to the ones from The Belgariad, showing maps and silhouettes behind some characters, but this time they were done by Edwin Herder.  There's a bit more on him floating around the internet (compared to Laurence Schwinger, who did the Belgariad covers), and you can learn more about him here and here.  Suffice to say, he's done a lot of work for book covers, magazines, movie posters and advertising.

For this book, we have characters standing and looking at something above them.  I've never been quite sure who the character on the left is (I always think Lelldorin, but I doubt that's him), but the others are Errand, Ce'Nedra and perhaps Garion or Mandorallen (shrug)?  What they are looking at, who knows.  A map of Aloria in the background and silhouette of a wolf round out the cover.  A rather boring cover, if you ask me, but I do like the character art style, it has a photo-realistic quality to it that Schwinger's didn't have.

Stating the Obvious

One thing I noticed in this book more than in The Belgariad, was how so many characters state the obvious.  Particularly when they are discussing some battle strategy.  Garion starts pacing and "thinking furiously" and offers up a suggestion that is obvious to even the dumbest person, and all the other Alorn kings are like, "very good."  It's laughable considering the battle plans they come up with.

Of course, none of the battles are all that interesting anyway, since they have sorcerers to do things like destroy gates or saturate the ground beneath walls to undermine their foundations... they all become one-sided and none of our heroes ever get hurt.  Although this time we are guaranteed a true death, as Cyradis mentions at the end of the book.  No Durnik with Two Lives - one of our heroes will die for real before all is said and done.  The one who dies is not obvious at first... when I first read the series I never guessed who it would be.

The Birds and the Bees

I know this series is generally geared toward young adults and casual readers, but the way Eddings treats sex and childbirth here is both amusing and ridiculous, even for that demographic.  Of course, most fantasy back in the day was pretty tame, with little sex or violence.  Stephen R. Donaldson was the most R-rated I found in the early days, but that was nothing compared to the fantasy of today, like Martin's A Song of Ice and Fire.

First we have the "sex scene."  Eight years pass and there is no heir to the Rivan Throne.  Brand suggests that Ce'Nedra is barren and Garion vehemently denies it.  Then why isn't there an heir?  Garion is puzzled... as if he doesn't know what sex is... as if they haven't been having sex AT ALL.  IN OVER 8 YEARS OF MARRIAGE.  And we, as readers, are supposed to believe this?  That Garion didn't even know what to do?

Credit hellowithcheese

It really is laughable and completely unrealistic, but I get it.  However, it gets worse, when Ce'Nedra gives birth to Geran.  Garion suddenly regresses into a Neanderthal and can only speak monosyllabic words.  He becomes so vapid that he even attempts to smash a chair to create more wood for the fire.  I don't like the way Eddings wrote this section... it makes Garion seem so childish when we've started to accept him as an adult.

Side note: I've never liked the name Geran for the child.  That seems to be another fantasy cliche... name your child after the parent you never knew...

Why Can't You Just…?

Yet another thing that bothers me in this book is the way sorcery is shrugged off as a solution, outside of battle.  At one point, on the way to Rheon to destroy Ulfgar and the Bear Cult, Ce'Nedra gets impatient and asks Garion to use sorcery to help find their baby, and he says there are limits.  She bitterly responds, "What good is it, then?"

I have to ask the same thing.  Why don't the sorcerers just fly off on their own, search for Zandramas and get Geran back without having to travel across two continents?  It seems silly to stubbornly stick to prophecy when you have the means to fix the problem much quicker.  They have all this power, but hardly use it.

It reminds me of that age-old question regarding The Lord of the Rings... why didn't the Eagles just fly Frodo and the Ring to Mt. Doom?  As you can see in the link it's been analyzed quite thoroughly over the years.  But really, it boils down to two things: it's a simple plot-hole and the story wouldn't be as interesting.

So in the case of The Malloreon, they have to stay within the confines of prophecy, otherwise we don't have much of a story.  Seems a bit silly when you really think about it, but that's what happens in fantasy sometimes.  It's still entertaining, though - enough to suspend your disbelief.

And speaking of the plot holes, I've always wondered why Zandramas chose to travel east with Geran after she stole him, rather than just sailing west from Riva and quickly arriving at the Mallorean continent from the other direction.  I guess that wouldn't be an interesting story either...


The Malloreon
Book 2 - King of the Murgos


The Belgariad
Book 5 - Enchanter's End Game
Book 4 - Castle of Wizardry
Book 3 - Magician's Gambit
Book 2 - Queen of Sorcery
Book 1 - Pawn of Prophecy

Friday, December 7, 2012

The Hope of Memory [Update 9] A Recent Break

Just a quick update on The Hope of Memory, since I haven't posted on it for almost 2 months.  I took a two week break on Wilders, as I just needed to get away from it for a while.  Also, I've been working on iPad app, so that has taken up a bit of my time.  And doing a bunch of reading (like video games, I always have a backlog to plow through).  I started writing on the book again the other day, though.

Currently on my 9th yellow notepad, Chapter 27.  Close to around 160K words, I estimate... so I'm definitely going to go over my goal of 180K, considering that I had 11 more chapters planned.  However, some of the later ones will be shorter.  And I will do a lot of trimming when it comes to the second draft.  As soon as this draft is done, I'm moving back to finalize the first book, The Distant.

I plan to release that on Amazon only, and enroll in the KDP Select program (that's the lending library thing for Amazon Prime members).  I believe the book has to be exclusive on Amazon to enroll if you are an Indie writer / publisher.  At least I wasn't able to enroll Bonebearer because of that (since it's also on B&N).

I also want to make a print version... will look into Amazon's CreateSpace for that.  Just need to make a decent cover.  If anyone is interested in doing 3 fantasy / sci-fi covers for super cheap or nothing (either way, part of the payment would be what little exposure I have now), please post here or contact me.  I am open to anything, as long as it looks cool.

Tuesday, November 20, 2012

Vampires & Witches: Hijacked by Taltos

Most people who have been engaged in popular culture or fiction at some level during the last 20 years are probably familiar with Anne Rice and one or two of her "gothic horror/fiction" novels, notably The Vampire Chronicles, that revolve around vampires.  She also wrote a trilogy regarding witches, called Lives of the Mayfair Witches, whose characters eventually crossed over into The Vampire Chronicles.  And if you lump in the two "outrigger" New Tales of the Vampires novels she did, you end up with fifteen novels total regarding the supernatural world of vampires and witches.

After many years of putting it off, I finally finished the last few novels in this multiple series amalgam, and much like the Chung Kuo review / commentary I did a few months ago, the ending left me a bit dissatisfied and bewildered, and I felt compelled to say something about these works as a result.

Please note that this post contains spoilers for all books in the three series listed above.  If you plan on reading all of them and don't want anything spoiled for you, stop reading now and come back when you've finished.  There will not be another warning.

If you've already read it or just don't care, read on.

The Background

First, a little background.  I discovered Anne Rice sometime in high school, probably around 1992.  I don't remember how I found her works, but I quickly devoured everything that was out at the time, which was only the first three in The Vampire Chronicles and the first book in Lives of the Mayfair Witches, entitled The Witching Hour.

I was blown away by these books, particularly The Witching Hour.  Anne Rice essentially set the standard for vampires in modern fiction, and I loved how realistic everything was, how the characters were tormented and struggling with their immortality and the fact they had to kill to survive, how they coped over the years.  I loved the vampire history that Rice presented, how it actually explained the vampires' origin (a malevolent spirit infesting the blood) and how it melded with the modern world without being too cheesy.  The thought of Lestat, the main vampire character throughout the series, being a modern-day rock star didn't sit with me well at first, but Rice made it work and I became a fan.

The infamous New Orleans First Street house Anne Rice used to live in,
used for the setting of The Witching Hour.

And then there was The Witching Hour.  I haven't read all of Rice's works, but I've read most, and I think this is by far her finest novel.  The rich and eerie history of the Mayfair family made for a 1,000 page page-turner with a shocking, cliffhanger ending.  I couldn't wait for the next book in the series.

I got heavily into both series after that.  I re-read them.  A few more came out and then the movie adaptation of the first vampire novel, Interview With the Vampire, staring Tom Cruise and Brad Pitt, opened and Anne Rice was a common household name.  I went to that movie on opening night in college and loved it.  A couple of years later, in 1997, I visited New Orleans over spring break with my older brother and sister-in-law, saw some of the landmarks mentioned in the series, took a guided "ghost and vampire" tour at night, and even stopped by Anne Rice's house on First Street to see it for myself.

Ebb and Flow

After college my interest in her books came and went like the tide... I would read old and new in chunks, then take a break for a year or two before picking it back up again.  I was severely disappointed in how the Mayfair Witches trilogy played out (more on that later), but continued to enjoy The Vampire Chronicles, though it did not seem like they were heading anywhere, the series reduced to individual memoirs with Lestat taking a backseat.  I figured she'd leave it open-ended and write a book from time to time.  I mean, how do you end a series about immortals?

Soon, however, she introduced the Mayfairs into the vampire storyline, starting with Merrick in 2000.  It seemed inevitable since both series involved The Talamasca.  I wasn't that thrilled with the book, though.  I got the rest of the books as they came out, but stopped after reading 2001's Blood and Gold (the 13th overall in the combined series) and watching the 2002 film Queen of the Damned (which unsuccessfully mashed together the books The Vampire Lestat and The Queen of the Damned).  That movie sucked, they butchered the story and Stuart Townsend wasn't half as good as Tom Cruise in the role of Lestat.  Rice has pretty much disowned that movie, from what I've read.

So I took a break and the last two books sat there.  I figured I would get to them in a year, perhaps.

Wrong.  I didn't read them until now, eight years later.  They've been sitting on my bookshelves, untouched that entire time.  I know it's eight years because I keep track of the dates for every book I buy (see my 2011 Media Consumption post to see how dorky I am) and my database says I bought the last volume, Blood Canticle, on 10/2/2004.  And it's definitely old... the top edge of the pages has yellowed over time.

So in trying to get through my incessant backlog, I finally read the last two books.  I had to read synopses of the earlier books in preparation because I hadn't touched them in years.  I wasn't sure what I was in for.  I knew Rice had left New Orleans after the death of her husband in 2002, and that she had rejoined the Church and had written fictionalized accounts of Jesus Christ.  But not much else, as I had lost interest in her after she stopped the vampire and witch novels.

The Books

Now, altogether I'm talking about fifteen books technically broken into three different series.  However, due to the crossover towards the end of The Vampire Chronicles, and the fact that two separate New Tales of the Vampires books are really no different than the other memoirs in the main sequence (and that Rice had seemingly given up on that grouping), they are part of the same world and should be read together, in my opinion.  The later entries in the Chronicles will definitely make more sense if you've read the Mayfair Witches.

The best order to read them, of course, is the order they were published in.  The italic abbreviations are the series and volume.  I also categorize them into three types: Lestat, Witches and Memoir.  The letter(s) in brackets represent those.  Some books are more than one.

Here are all fifteen:

  1. Interview With the Vampire (1976) - tVC 1 [L, M]
  2. The Vampire Lestat (1985) - tVC 2 [L, M]
  3. The Queen of the Damned (1988) - tVC 3 [L]
  4. The Witching Hour (1990) - LotMW 1 [W]
  5. The Tale of the Body Thief (1992) - tVC 4 [L]
  6. Lasher (1993) - LotMW 2 [W]
  7. Taltos (1994) - LotMW 3 [W]
  8. Memnoch the Devil (1995) - tVC 5 [L]
  9. Pandora (1998) - NTotV 1 [M]
  10. The Vampire Armand (1998) - tVC 6 [M]
  11. Vittorio, the Vampire (1999) - NTotV 2 [M]
  12. Merrick (2000) - tVC 7 [L, W]
  13. Blood and Gold (2001) - tVC 8 [M]
  14. Blackwood Farm (2002) - tVC 9 [L, W, M]
  15. Blood Canticle (2003) - tVC 10 [L, W]

Lestat is undoubtedly the central character.  It's more about him than anyone else, and Anne Rice eventually went post-modern, having Lestat publish the earlier volumes in The Vampire Chronicles within the series itself, for the world to read as fiction and newer vampires to learn from.

Now, I think it's obvious that as the popularity of the series rose (particularly with the Tom Cruise movie in 1994), Rice focused solely on vampires and rode the wave of success.  Whether this burned her out, or she tired of it due to her husband's death in 2002 and rushed it (she finished the last volume, Blood Canticle, just two months before he died), or ran out of ideas and just came up with a quick way to "resolve" both series and fulfill contractual obligations at the same time... I don't know.  And it doesn't really matter.  What matters is that two series that started out fantastic and strong, were mashed together and died with a whimper.

My Anne Rice books.  Yes, two are missing.  Read on to find out why.
I also lost the dust jacket for The Vampire Armand, that's why it's
open to the title page in the pic.

The Beginning of the End

So... why don't I like the ending?  How did it die out?

First, as I mentioned before, there probably shouldn't have been a definitive ending to either series.  The vampires are immortal.  That series is a mish-mash of various stories and memoirs.  For something like that you just leave it open-ended.  Maybe you come back to it, maybe you don't.  The witches continue to be witches in the modern day, but perhaps use their powers for "good," like Rowan Mayfair does with the Mayfair Medical Center (or so we believe at first).  But the fact that the last book, Blood Canticle, actually says "THE END" with a date, when none of the other books do, makes it clear Rice was ending it all.

Second, I just have one word:


Oh Anne... why did you have to go there?

The introduction of the Taltos in Lasher (Book 2 of the Mayfair Witches), essentially ruined everything for me.  Everything.  Rice went from a fantastic book about witches (The Witching Hour) and turned it into some story about this ancient race of beings that are roughly 7 feet tall, are born aware, grow to human size soon after birth, live for thousands of years, etc etc. It's obviously inspired by the t├íltos of Hungarian mythology.

With the books Lasher and Taltos, however, what made The Witching Hour so awesome (the Mayfair family history) was mostly thrown out the window. Lasher the Mayfair Ghost becomes Lasher the Taltos (instead of just a human), he's obsessed with perpetuating his race (he dies instead) and the third book in that series, Taltos, focusing on more Taltos births by the Mayfairs, was horrible.  The surviving Taltos disappear at the end and it's left unresolved.  I hated it and the direction Rice had gone.

In fact, Lasher upset me so much that I ended up donating it to the public library.  I never bought Taltos, I merely borrowed it from a friend when it came out, and I'm glad I didn't waste any money on it.  So that's why both are missing from my book picture above.

The Crossover

I figured, okay, the Mayfair Witches was ruined, but I still had The Witching Hour, a fantastic book I'd gladly read again without bothering to read the sequels.  And The Vampire Chronicles were still decent.  I enjoyed the different memoirs that Rice was doing, focusing on familiar characters like Armand, Pandora and Marius, as well as some new ones like Vittorio and later in Blackwood Farm, Tarquin Blackwood.  At least she hadn't screwed that up, right?

Wrong.  Rice introduced the Mayfairs into the vampire storyline in Merrick, where the eponymous, outcast quadroon of a Mayfair becomes a vampire.  Which ends up ultimately being pointless since she abruptly kills herself a few years later at the end of Blackwood Farm, which I thought was a pretty good novel, especially that late in the series.

I personally think Rice writes best when the story involves a personal or family history.  Each one of those she has done has been quite engrossing.  The best books in these series are memoirs / histories.  The others, set in modern times, are weaker overall.  Rice has mentioned that she had trouble getting her ideas about the world down when writing through normal human characters, but had better success once she turned to non-humans.  This equates to past vs. present as well, it seems to me.

Blood Canticle

So as I mentioned, I liked Blackwood Farm, the penultimate novel in the series.  It was well done and interesting, had a good main character (Tarquin "Quinn" Blackwood) and a nice twist to the end which I didn't see coming.  While I didn't find the way Quinn interacted with his family and black house staff all that believable (maybe it's just because I wasn't raised in the South), I liked everything else.  It ends on a slight cliffhanger and I moved immediately into the last novel, Blood Canticle.

I guess the cover is okay...

This book has gotten panned in many reviews, and I'm going to have to add my voice to theirs.  It's not very good and is a far cry from the classic Rice novels.  Lestat is obsessed with becoming a saint now and just doesn't act like he used to.  This book is a mess, and reminds me of how Chung Kuo originally ended.  So like that blog post, here's a rundown of how ridiculous this book gets.

1: Anne Rice chastises her readership
This is the first novel since 1995's Memnoch the Devil to be narrated by Lestat.  And the very beginning is him chastising you, the reader, for not liking his last book, Memnoch.  I liked that book, but a lot of others didn't.  And I suppose it's in character... but it felt petty to me.  It reminded me of the movie Lady in the Water, when after taking a lot of criticism for his last few movies, writer / director M. Night Shyamalan cast himself as a character who's written works which will someday "change the world" and where a film critic in the movie meets a violent end.

2: Mona Mayfair becomes a vampire
Stop turning everyone into a vampire, Rice!  Lestat does this for Quinn, and everyone's lives are turned upside down.  Mona was near death, but now they have to find a way to explain to the persistent Mayfairs (Rowan and Michael) how she miraculously recovered.  Lestat has blown their cover, and Quinn is mostly to blame since he can't let go of his mortal life.  It's an interesting storyline, one that makes Blackwood Farm interesting, but here it just turns into a mess and precipitates all that comes later.

3: Lestat falls in love with Rowan Mayfair
This just feels wrong to me.  Why did this need to happen?  If you've read both series you know how weird this seems.  Rowan has gone to hell and back through the Mayfair Witches, and throwing all this vampire stuff on top of that is overkill.  Besides, I don't really like Rowan all that much after the events of The Witching Hour.

4: Drug runners in the Caribbean
Mona, now that she's a vampire, wants to find out what happened to her Taltos baby, named Morrigan.  Rowan and Michael tried to find her and Ash Templeton (the older Taltos who ran off with her at the end of Taltos) but eventually gave up.  Of course Maharet knows and tells Lestat via email, and within minutes they are off to the Caribbean island where the Taltos have hidden themselves - only to find it occupied by South American drug runners and the remaining Taltos captured.  Lestat and Co. just go through and kill all the drug runners in an extended action sequence featuring Matrix-style telekinesis and pyrokinesis that feels out of place.

5: The Taltos' efforts were POINTLESS
The ultimate insult is when you find out what happened to Ash, Morrigan and their Taltos children.  The children rebel, kill the parents, and fight amongst themselves.  Lasher spent hundreds of years manipulating the Mayfair's lineage so that he could be reborn in a Taltos to restart the race - and they failed.  They were not meant for this time, and cannot survive it in great numbers.  So all this crap was for nothing.  THEY FAILED.  And both series were ruined.

6: It's anticlimactic
Huh?  This sprawling saga about vampires and witches "ends" like this?  Usually when you end something, there's some kind of resolution.  The only resolution you get here is for the ill-begotten Taltos storyline that should have never been introduced in the first place, and the resolution isn't even any good!

The End?

So... the series came to a somewhat ignominious end (at least for me).  I am not happy with it.  I understood why Chung Kuo ended as it did.  I don't understand why Rice ended with Blood Canticle.  It's just not a good book or idea compared to the earlier entries.

But is it truly the end of the series for Rice?  In recent years she has left the Catholic Church (again) and turned back to some supernatural fiction with The Wolf Gift (her take on werewolves) and the Songs of the Seraphim series (about an assassin).

There's also something new she's working on called Born for Atlantis, which according to this November 2011 interview on The Daily Beast, is about:

"...several immortals sent to the planet during the time of Atlantis and it tells the story of what happened.  They're now still alive in the modern age and they're facing a crisis."

I don't know about you, but I would be surprised if this new book didn't feature Tommy Blackwood (from Blackwood Farm, Quinn's nephew) somehow, since he says many times that he wants to search for Atlantis when he gets older.  Could Rice tie this back into the Vampire Chronicles somehow?

She also mentions in the interview that she's working on something involving aliens.  Now, I've always thought that she should expand the Vampire Chronicles to the future somehow.  Enough with the books set in modern times or past memoirs.  Take it further.

Restart the series by jumping ahead a few hundred years.  What would Lestat be like he future?  Quinn after a few hundred years of vampire life?  Would they still be able to hide from society like they can now?  I don't think anyone has done a good take on vampires in the future yet (if anyone has any recommendations, I'm all ears).  The only decent part of Blood Canticle was the possibility of Rowan and her medical clinic getting a sample of Lestat's blood to analyze.  What would happen should modern day scientists understand vampirism on a scientific level?

So who else had this book as a kid?

Will we ever know?  Rice isn't known for science fiction, but she is planning the "alien" thing, and she's got good enough chops for fantasy and historical fiction - so she could pull it off.  You don't have to be technical or necessarily understand certain technologies in order to write an engrossing story set in the future or in space.

I can only hope she returns to the vampires at some point, which would turn the crappy ending into just another crappy middle book we can ignore.  But unlike Chung Kuo, there won't be a "remastering" of the end.  We're stuck with it.

Damn you, Taltos!  *shakes fist*


[Books 16-17] Prince Lestat and Two New Vampire Books

Friday, October 26, 2012

The Belgariad [5] Enchanter's End Game (1984)

The final book of The Belgariad, we bring the two main storylines to conclusion.  Garion is still skulking his way across the Angarak kingdoms towards Cthol Mishrak to confront the god Torak, and Ce'Nedra and company are leading the armies of the West into Mishrak ac Thull to distract the armies of the Murgos and Malloreans.  For the conclusion of a five volume series, you'd think it would be exciting... however, much of the book is filler.

Before you continue:
  • This is part 5 of my The Belgariad and The Malloreon retrospective
  • See this blog post for an overview of the retrospective
  • These blogs are most effective with your own re-read of both series

General Thoughts

This book provides the ending we've all been expecting (Garion killing Torak, we're all saved, happy ending yay), but it takes a while to get there.  Because there's not a lot for Garion to actually do (travel across mostly barren countryside in hiding and then fight Torak), the bulk of the book ends up following Ce'Nedra's storyline (and some of the Western rulers that were left behind to manage the kingdoms while the Kings are at war).

This makes for a book that starts out well, drags a bit in the middle, then ends excitingly.  When you get to the end you're truly sad to see these characters go; they are fun and personable, and their banter has rubbed off on you.  At least it did for me.  They aren't the most complex fantasy characters - but they don't need to be for the reader to care about them.  I think that's Eddings' greatest achievement with the series: as much as the world building seems lacking and plot elements are cliche, you still care about the characters.

Except for a few that are basically pointless.  Like Lelldorin.  He is mentioned in prophecy as the Archer, but ends up being worthless on top of stupid.  What does he do?  Gets hurt in Book 2 and disappears until Book 4, continues to be stupid, then goes with Ce'Nedra to fight like everyone else in Book 5.  Never really liked this character.  A bad version of Legolas from Lord of the Rings.

Lelldorin, being an idiot as usual.  Garion, wondering "Why me?" as usual.
If you are the owner of this picture, let me know so I can credit you, please.

This time I think I'll do the blog backwards: cover, maps and kingdoms first, then discuss different parts of the ending.

The Cover

The cover here is alright, though once again there is a massive spoiler on the cover (Polgara covering a dead Durnik) that those who have been paying mild attention to the prophecies in the series will immediately get.  She doesn't actually cover him like that in the story, but I suppose they were trying to hide his identity.  It would have been nice to see him, though.

We have the map of Mallorea, where the confrontation between Garion and Torak will be, as well as Garion and Belgarath looking travel-worn and weary, wearing the requisite furs from their journey across cold Gar og Nadrak and Mallorea.  Belgarath shouldn't have a long-ass beard, should he?  Pretty sure he's not described with one.

The silhouette here is another mask - this time Torak's, with the burning eye of fire (Sauron, anyone?).  However... the mask is supposed to just be one side of the face (the side that is disfigured).  So Schwinger messed up there.  Tsk tsk.

There are some other alternate covers of the series, but most are blah or not worth posting.  One set is comprised of landscapes that almost look like they were drawn for something else and just reused for The Belgariad because it was close enough.  However, I did find a few good covers for Enchanter's End Game - ones worthy enough to share.

The one on the left is very cool, I especially like the interpretation of Torak.  Even though he's described as handsome, I've always pictured him as dark and scary.  The one on the right is pretty much a copy of other young adult book covers out these days, colorful and catchy like those of Christopher Paolini or Rick Riordan novels.

Gar og Nadrak

This kingdom is home to one of the five Angarak tribes, the Nadraks.  They are by far the most likable of any of the Angaraks, almost akin to the Drasnians in their penchant for trade, money and information.  They have little love for Torak and the Grolims and later make for allies in the fight against the Murgos and Malloreans.

Garion, Belgarath and Silk travel through mining and fur trapping communities, are briefly captured by Mallorean army recruiters, then are captured by a Nadrak trader and taken to... none other than the Nadrak King, Drosta.  The Ruler Streak lives!
The last part of this section deals with the party traveling across Morindland, a tundra-like waste far to the north.  This is actually a really cool section, as the Morind worship and summon demons, and the people are somewhat savage, making for an interesting diversion from the norm and which sets up some background for more demon fun in The Malloreon.

Mishrak ac Thull

And finally, we visit the last kingdom in the western continent.  Home of the Thulls, the idiot tribe of the Angaraks, this country is mostly hills and farmland once you get out of the mountains on the western border.  Thulls are belittled throughout the series, considered stupid and good for nothing but manual labor and potential Grolim sacrifices.  Thullish women are constantly pregnant since Grolims will not sacrifice pregnant women.  This results is a proliferation of lackwit Thulls.

Anyway, Garion does not visit this country.  Ce'Nedra and the armies of the West do.  They end up in a big battle they weren't planning on and Ce'Nedra and company get captured by Malloreans and taken to their Emperor, 'Zakath.  Some minor, 1D characters die in the fighting and we're a little sad.

As for the Ruler Streak... Garion does not meet King Gethell, but Ce'Nedra does.  So it kinda ends here?  Crap.  Although Ce'Nedra is acting in Garion's stead as Overlord of the West.  Still, he does appear on screen, which is the most important thing.

On a side note - why such a "stupid" people are allowed to govern and maintain a large nation never made much sense to me.  You'd think the Angarak rulers would just take it over and use Thulls as slaves throughout Angarak, rather than letting them have their own huge country.  *shrug*

Another side note - what's with the "og" and "ac" in the country names?  Never understood that.  It sounds cool, I guess, but it's like apostrophes sometimes (i.e. the one in 'Zakath, which we learn later actually stands for "Kal")... they look exotic but are generally pointless and a fantasy cliche at this point.

The Portage over the Eastern Escarpment

Before we move on to the last kingdom, I wanted to talk about this separately, as I've always felt it was a little ridiculous.

Part of the Western armies' plan involves portage of the massive Cherek warships across the Eastern Escarpment - a huge cliff that comprises the eastern border of Algaria.  They plan to sail the ships down the River Aldur as far as they can go, then cart them across leagues of grassland, then up and over the escarpment using sophisticated pulley systems created by the Drasnians, then cart them again over leagues of mountainous western Mishrak ac Thull until they get to the River Mardu, whereupon they can sail into the Sea of the East and start having fun sinking Mallorean ships.

Really?  Weren't not talking about canoes here, these are huge ships that have a crew of at least a hundred.

Here's a real portage

It has always struck me as ridiculous and implausible.  These people are not that advanced and practice little science.  There is not a lot of detail on how they do this, it just kind of happens in the background, with some clever suggestions by Durnik.  It's true that the Angaraks would not expect such a bold and daring move - yet all the same, the ease with which it's pulled off has always been one of my little gripes with the realism of the series.  Maybe it's just me.


Ah, boundless Mallorea, as they refer to it sometimes.  Mallorea is much larger than what is shown here, as we'll learn in The Malloreon.  Here we only see the barren northwestern portion, where Torak's dead city of Cthol Mishrak lies.  All the major characters conveniently meet up there, as 'Zakath turns Ce'Nedra and the others over to the Grolims, who bring them across the sea to Zedar the Apostate, guardian of Torak's body, in Cthol Mishrak.

Other than the fight with Torak, the only interesting thing that happens here is Garion, Belgarath and Silk being chased by the Hounds of Torak, Grolims who were transformed into giant hounds and left to guard Cthol Mishrak.

The Ruler Streak kind of came crashing down in the last kingdom, but Ce'Nedra does meet the Emperor of Mallorea, 'Zakath, so... whatever.

Garion vs. Torak

And now we come to it... the final confrontation, what we've been building up to for... a book and a half.  When you read it for the first time, you might be a little disappointed.  Thousands of years of prophecy for a mere sword fight?  It's like when I first saw The Matrix (and Roger Ebert summed up my thoughts on that movie more succinctly) - when Neo learned who he was, it all came down to a little fist fight with Agent Smith.  In the context of the story it just didn't fit for me, but I can understand why they did it.

Same for here... only it's not about a sword fight, which is good.  It's about rejection.  The first is from Polgara, who has to resist him somehow.  She is able to do this because of Durnik's death and the realization of her love for him.  The second is from Garion, who shows him how no one, not even his Angarak people nor his parents (UL and the Universe) love him.  With the realization that he is utterly alone, this allows him to grow sloppy, providing the opening for Garion to kill him with the Orb-flamed sword of the Rivan King.

And so the God who never should have been dies, and the mistake was corrected... or as we find out, not just yet.

I stumbled across a blog by Zach Alexander with some decent fan art / character designs. Below are Garion and Torak, by far the best ones I've seen (although I think Garion looks like Joffrey in the Game of Thrones HBO series). Check the link here for more (Silk, Barak, Ce'Nedra).

Durnik and Polgara

This is probably my favorite part of the series.  Not because Durnik has to die (we know he's coming back, he's The Man With Two Lives, remember?), but because their love is finally realized.  Durnik has always loved Polgara, but they could never be.  He is a mortal, not a sorcerer - the union could not last.  And Polgara has never had a normal life or love, and she's spent centuries sacrificing herself to ensure Garion came into being.  So to finally see them both get what they want - it's heartwarming.

And even though you know Durnik will be back, the anguish Polgara shows when he dies is very touching.  It's a completely different Polgara than we've seen.  We already know about Belgarath's grief over his wife, Poledra, and he felt more human than Polgara throughout most of the series.  She doesn't get too emotionally attached to people outside the sorcerer's circle since she knows she will outlive them.

Then later, when we discover that Durnik was given the Will and the Word after his resurrection rather than Polgara having hers removed... very nice moment.  I immediately wondered if he was going to be called Beldurnik, like the other "good" male sorcerers.  As we find out in The Malloreon, that doesn't happen.  Which is good, because I think it sounds awkward.

Also found some fan art of Durnik and Polgara by an artist named Oboe.  There are some others there too; Ce'Nedra, Barak and Mandorallen.  Durnik is so plain and unassuming you probably wouldn't even know it was him unless I said so... the portrait could be of any normal person.  Polgara, of course, is easily recognizable with her distinctive white lock of hair.

What's Next?

I'm sure Eddings did not have The Malloreon planned when he wrote The Belgariad, based on the way some characters act and what they say (referring to Garion vs. Torak as the final confrontation). The great success of the first series surely prompted Lester Del Rey to ask Eddings for a sequel of some sort.

So... we're not done just yet with Garion and Friends.  Another meeting of the Child of Light and Child of Dark is in the works.  This time to completely fix the mistake that was the birth of Torak.

In the next series, The Malloreon, our heroes travel the breadth and width of the eastern continent, Mallorea, giving us a whirlwind tour of the rest of Eddings' world.  There will be more maps and more peoples to discuss, many of them godless, and many new friends and allies.  I actually like the sequel series better than The Belgariad, which to me is now just an extended prologue, a setup for the much better sequel.  The Malloreon is more adult in focus and more entertaining in general, in my opinion, since Garion is an adult now - much the way the second half of the Harry Potter series is so much better than the first half because Harry is older and has more serious adventures.


The Malloreon
Book 1 - Guardians of the West


The Belgariad
Book 4 - Castle of Wizardry
Book 3 - Magician's Gambit
Book 2 - Queen of Sorcery
Book 1 - Pawn of Prophecy

All maps by Shelly Shapiro

Sunday, October 21, 2012

The Hope of Memory [Update 8] Chapter Names

I'm over halfway through the second book of The Hope of Memory, entitled Wilders.  The book is split into two distinct parts just like the first one is, but I can't really say more than that without spoiling the story.  The first ran a little long and probably ended up around 100K words - 10K over my goal of 90K.  But that's okay, I should be able to trim it down a bit in the next revision.

I'm on the fourth chapter of part two, chapter 23 of a planned 38 in total.  So it's coming along, though I've been working on an iPad app the last few months, which has been taking up some of my time.  But I try to write at least a few pages each day, aiming for four pages a day at minimum.  I usually don't have a problem writing at least something - I force myself to write if necessary and will just revise it later if I don't like it.

Chapter Names

In this trilogy I'm using chapter names, unlike Bonebearer, where I just had numbers.  Coming up with interesting but cryptic titles can be tough... you want to make the reader wonder what the title means and want to read the chapter - without giving the next plot point away.  You don't want them to figure out the story just by looking at the list of chapter names.

With the first book, The Distant, I added the chapter names later, after the 2nd draft of the book.  With Wilders, I'm adding them as I go along, usually taking a phrase out of the text itself.  There are a few that might be too revealing, but they fit very well and generally I'll leave those if it's obvious what's going to happen.  For The Distant, though, I'm probably going to redo some of the titles.  Too many are generic. 

Something I found interesting in recent years about The Wheel of Time: Robert Jordan did not create his chapter names.  His editor (and wife, Harriet McDougall), added the chapter names later.  I wonder what Jordan thought of them.

Friday, October 12, 2012

The Belgariad [4] Castle of Wizardry

I like to call this book the "Book of Alorn."  That's because it's completely centered on the Kingdoms of Aloria and it's current purpose in the world (protection of the Orb and the West).  We visit three of the four Alorn Kingdoms, discover who Garion really is (as if we didn't already know) and learn that he has to undertake a new, more dangerous quest.  The story also splits into two storylines, providing more of an epic feel.

Before you continue:
  • This is part 4 of my The Belgariad and The Malloreon retrospective
  • See this blog post for an overview of the retrospective
  • These blogs are most effective with your own re-read of both series

General Thoughts

I like this book the best out of The Belgariad, for a few reasons.  One is the recurring themes of home, belonging and finding your purpose, which I'll talk about more later.  Many characters suddenly realize their place / purpose in the world, and that's always something that I've gravitated towards in books and film.

The other reason is that the story expands, and it's not just told from Garion's viewpoint anymore, but from both Garion and Ce'Nedra's viewpoint.  The last section of the book is entirely Ce'Nedra's, and it's a welcome change of pace and provides a dimension to the story that previous volumes were lacking.  While there's nothing wrong with seeing things through Garion's eyes, his "why me?" attitude and innocence about the world does get old after a while.  Ce'Nedra, on the other hand, loves to be the center of attention.

In terms of the title - Castle of Wizardry - I feel it's the most poorly-named of all of the books.  I guess it's refering to the castle in Riva?  Except that Garion is not a wizard.  He's a sorcerer.  And there's nothing wizardly about the castle.  It's never made any sense to me and is one of those generic, throwaway fantasy titles that doesn't really mean anything.  (Like Knife of Dreams from The Wheel of Time.)  Surely Eddings could have come up with a more apt name, though I know the titles are chess-themed, since it's supposed to be part of this cosmic chess match between the two Prophecies.

What sucks is now when you search for "castle of wizardry" images in Google, after a page or so you mostly get Hogwarts references.

The new Castle of Wizardry: Hogwarts.
Credit: Universal Orlando Resort


As I mention in the blog for Magician's Gambit, Eddings makes good use of each prologue to impart critical history that the reader will need for the coming volume.  This time we have an account of the murder of the Rivan King by Nyissa.  This is important because obviously, taking Garion and the Orb to Riva is going to reinstate the line of Rivan Kings long thought dead.

The whole hiding of the Rivan King's family is addressed in much greater detail in the Polgara the Sorceress memoir.  Polgara is reluctantly forced to keep watch over the Rivan line, moving them around for hundreds of years.  Only one male child is born in each generation (prophecy, I guess), and they lived and died in obscurity, each knowing that they were the Rivan King, but unable to do anything about it.  That would kind of suck, if you ask me... but at least they knew their purpose in life was to keep the line going, that in the end they would make a difference.


Continuing on that, one of the main focuses of this volume is family.  When Garion discovers that Adara, a girl he meets in Algaria, is his cousin, he no longer feels orphaned or so alone in the world.  A relative of his own generation is very important to him, compared to one like Polgara or Belgarath - both of whom he is technically related to, though generations upon generations removed.

This theme continues with some of the other characters.  Barak and Merel reconcile due to the birth of his first son.  They are finally the family that Barak wanted.  Relg and Taiba frequently share each other's company, both finding something in a human bond that they never thought they would find.

Finding Your Place

Along with the theme of family, there's the theme of "finding your place."  In other words, what is your purpose?  Everyone probably asks themselves at some point, "Why am I here? What is my purpose in life?" Knowing that can be very fulfilling for some people.

And even though we knew it, Garion didn't, and when he finally takes the Orb in Riva and is crowned king, he learns what his place in the world is.  He finds home - Riva - and a new family in the Rivan people.  This was what he was born for.

Of course, learning this comes with the price of having to go fight the god Torak, which Garion decides to undertake in secrecy.  But his departure provides Ce'Nedra with a new purpose as the incumbent Rivan Queen.  She decides to help gather the forces of the West and be their figurehead, so they can distract the Angaraks while Garion, Belgarath and Silk sneak into Mallorea to meet Torak.

The Cover

As much as I like this volume, I'm not a fan of the cover.  Even though it's the same arist, Laurence Schwinger, Garion looks kind of weird here.  What he's doing is also a massive spoiler, but of course you knew who he was from the beginning (and if you didn't, there's no hope for you, sorry).

Ce'Nedra looks fine, and it's nice that Schwinger paid attention to the details once again, like the armor with the breast forms (which makes for a somewhat amusing exchange between Ce'Nedra and an armorer).  The map in the background shows Riva, the Isle of the Winds (of course), and the silhouette this time is a crown.  Gee, I wonder what that means?

Gibberish Prophecies

Throughout the series they frequently mention how the prophecies they follow are "gibberish" and make no sense, and how Belgarath and the others have looked at them forward, backward and sideways over the millenia, yet still have no clue what some of them mean.  Some line of prophecy is quoted in the book and some other character is like, "Phaw, absolute gibberish, that doesn't mean anything."

Really?  In The Belgariad - where nothing's really a secret to the reader - none of the prophecy reads as gibberish to me.  My reaction is, "seriously, you can't understand what it means?"  I always find it amusing.  Take this exchange, near the end of Castle of Wizardry, when Polgara is telling Ce'Nedra what the prophecy says about her, after she's been speaking to crowds and gathering armies for the West (chapter 26, pg. 343 of the paperback version):
Polgara ran her eyes down the crackling parchment.  "Here is it," she said, lifting the scroll into the candlelight.  "'And the voice of the Bride of Light shall be heard in the kingdoms of the world,'" she read, "'and her words shall be as fire in dry grass, that the multitudes shall rise up to go forth under the blaze of her banner.'"
"That doesn't mean anything at all, Lady Polgara," Ce'Nedra objected.  "It's absolute gibberish."
I don't know about you, but that's not "absolute gibberish," and it makes the characters sound dumb when they say that - especially when someone like Belgarath says it.  Gibberish should have no actual meaning to it, whereas here it's perfectly obvious what it means, even if you haven't even read this book.  Whether you know what/who the Bride of Light is is irrelevant to understanding.  A true gibberish version of the prophecy above would be something like this:

"And the Light Bride hearing far the world voice, fire words over grass, a multitude banner rise forth from blazing kingdoms."
Now that would be gibberish to the reader.  Usually gibberish is reserved for bad poetry.  Which I suppose prophecy kind of is.  But Eddings's prophecies are kind of weak, if you ask me.


It's somewhat interesting that a book with themes of family and finding your place take place in countries that are very bleak, empty and desolate.  Algaria is the first of the three we visit in Castle of Wizardry.

Algaria is where our heroes escape to after recovering the Orb in Cthol Murgos.  It's a huge country, mostly grassland, and the Algars are nomadic. The Vale of Aldur (from the last book, Magician's Gambit) comprises its southern tip.  They have only two permanent cities: the Stronghold, a huge stone fortress near the Vale; and Aldurford, up by the Fens (which we visit later).

We don't do much in Algaria.  The group reunites with Hettar, our Horse Lord,  meet up with King Cho-Hag and travel to the Stronghold.  There Garion meets his cousin, Adara, the first "real" family he has found.  He also meets King Cho-Hag, keeping the Ruler Streak going - but then, he already met all the Alorn Kings in Pawn of Prophecy.  Still, it's good to see them in their own country.


Riva only came about as a nation because the Alorns needed somewhere to keep the Orb safe.  It consists of a single fortress city on the Isle of the Winds, a bleak, forboding place in the western ocean, mostly mountainous with some pasturelands.  We don't go any place other than the city in this book, though, so it doesn't really matter.

Lots o' water, not much land.

Garion has suddenly found himself the ruler of this small country, now that he has come into his inheritance.  He discusses war with the Alorn and Sendarian kings, learns that he has little privacy anymore and that he is to marry Princess Ce'Nedra - something she is pissed about because he will outrank her.  Lots of drama, not a lot of action - until Garion learns what he must do: fight the God Torak.

Since Garion himself is the ruler of this country, the Ruler Streak lives!  If you don't think that counts, well... he meets Brand, the Rivan Warder, a position that has ruled in Riva ever since the Nyissans killed the Rivan King and Polgara hid the heir.  So there.


Like Algaria, our stay in Drasnia is rather brief and forgetful.  Garion, Belgarath and Silk have snuck away from Riva and are cutting through Drasnia on the way to Mallorea.  It's a very short section (60 pages) and there's not really much to see or do here.  Now we understand why Silk hates his homeland so much.  There are marshes and moors and a whole lot of nothing in Drasnia.  The map only shows one city, Boktor.  Yawn.

We do spend some time in the marshes / fens in the southwest, where our small party is stuck in a swamp and need "help" to get out.  Help = witch woman Vordai who will ensure they stay lost until they give her creature friends (fenlings, I guess they're kind of like squat sea lions or something?) the ability to speak human words.  Nevermind that Belgarath and Garion are sorcerers and can just open a path and leave rather than waste time.  Garion even mentions this to Belgarath, but he said they had to - prophecy required it of them.


That's about it.  They are briefly stopped in the capital, but tell the Queen there to leave them alone (Polgara has been trying to bring them back to Riva after they snuck off) and eventually continue on.  I'm keeping the Ruler Streak alive here because Garion has met King Rhodar a couple of times now, and he does see the Queen while in Boktor - who is ruling in his stead.  So it counts, I don't care what you say.

You do learn a little more about Silk's past - how he's got a crush on his aunt, the Queen, and about his mother - but it's not that important to Garion's story.  He is the trickster / comic relief in this story.  His past becomes more important in the next series, The Malloreon, but here it's just nice-to-know info.

Not my favorite version of Silk, but one of
the better ones out there.

The Rivan Queen

The last section of the book deals with what happens to Ce'Nedra after Garion sneaks off to deal with Torak.  There's no special map or need to check the Ruler Streak, since they visit a number of countries here.  The West needs to draw the attention of the Angaraks from Garion, so they are mobilizing troops and planning for war.  Little Ce'Nedra decides she's going to be the figurehead of this army, wanting to live up to her new title, The Rivan Queen.

This is a welcome change of pace.  Ce'Nedra is a lot different than Garion; she's more willful, more manipulative.  At first she's not sure she can pull it off - doing the speeches, getting people to follow her - but she manages it quite well, even stealing the Tolnedran Legions from her father, all the while feeling guilty for leading so many to their deaths.  For many will die; though it's all supposed to be a diversion, war is inevitable.  Blood will flow.


Book 5 - Enchanter's End Game


Book 3 - Magician's Gambit
Book 2 - Queen of Sorcery
Book 1 - Pawn of Prophecy

Hey guess what?  This was my 100th published post!  Yay me.

All maps by Shelly Shapiro